It’s always exciting to built up your tent… erm… easel somewhere else, even if it’s just for weeks or just days.

So, you get a completely different feeling: It’s thrilling for me, especially because the view towards a well-known but not finished painting is changing, if you want or not.

Here I’ve arrived at the most difficult part of this one: the foreground.

The less change in form or color you find there, the longer and intensively you look at the area. Suddenly, you see new colors, but that doesn’t make it easier.

Today I dive into the ocean of sand and tiny stones somewhere in Iran…



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